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I just said maybe…

The usecases of the system don’t indicate something about the quality or acceptance in the real world.
Still have discussions with artists that they don’t accept digital consoles because they sound bad. And many artists “need” a line array system, even in very small venues.

I say it again… the networked console system is still in front of some others in the market but we still miss some features in the competition (spill groups, pitch FX, mix minus busses, gain tracking)