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Hello there
I’m a festival sound engineer and I have to say that your assumptions that you will be able to plumb in your whole system on a 30-minute turnaround are breathtakingly impractical. If you aren’t prepared to adapt your setup to what is available to all the other festival artists, you will be booked once and once only! Of course we would all like a familiar system at every festival but in the real world, it doesn’t happen that way. Mind you, I just do the smaller events, interestingly with 2 GLDs!