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Ok, that makes sense.

NEXT question: About output routing/etc.

At the install, there’s three stages: From left to right, stage L is a band, Stage C is drama, Stage R is a band. Low ceilings/amateurs/etc all conspire for feedback possibilities. My thoughts were to route the drama lavs and headsets in such a way that they are feeding a lower signal (or none at all) to the speaker directly above the ‘drama’ stage, but still feed all the rest, and make it invisible to the operator what’s happening.

How would I go about this? Obviously I’ll need to have each speaker (powered boxes) connected to discreet outputs, but what are the things I need to be looking at in the iLive?